Learn To Draw Confident, Straight Lines, Then Master Freehand Drawing And Become Your Best Creative Self


In this article we will be talking about something vital, which all architects (even if they know how to draw) will have as a mental obstacle – and this is being able to always sketch with a confident freehand drawing.
You will see that paradoxically this is not the problem, there is a problem behind the problem – we will address that and then you will be free to become your true creative self and of course, draw confident straight lines while mastering freehand drawing.

Sounds good? Let’s get to it!

Introduction


Freehand drawing is the staple of architectural drawing – most people associate being able to draw like an architect as you being able to freehand draw (although the absolute reality is that technical drawing is as important as freehand drawing – no matter, we will handle this in a future article).

Look, I know my students, I know you fantasize about wanting to draw straight, confident lines and to master sketching in front of others and just come up with a good idea after good idea in all your sketching.

There is a bit more to it then that and we will discuss everything here in detail – first by getting a firm understanding on how your mind works
Then we will study theory and focus on line drawing exercises and finally we will wrap up with many examples of the types of drawings you can create to get the most out of your freehand sketching.
1 (4)

General Theory On How Your Mind Works

 
Look, I KNOW You want to watch a video on line drawing, we will get to that in a bit! Promise

We first need to get the theory sorted of why you are how you – this will be the shift that will get you to the next level.

 

Makes sense? We need to first get the mental part out of the way so we can then focus 100% on graphics. In sports, they call this inner game and outer game, the concept carries through to architecture 100%.

We first need to sort out the inner game, then you will ease into the techniques. Again, this is the weird abstract stuff – ignore the temptation to skip this part – take notes, and when something feels extra uncomfortable, stop and note it down. Chances are you found something that will improve your abilities a lot.
bb2282c93a02496b9c75795858647da5--the-human-brain-human-mind

You got three brains in one:



• Physical – translates into taking action, ending in literal skills that you get. You grow your skills by living them, by repeating them and striving to become better, skills cannot be faked.

• Emotional – the inspiration, sensitivity part of drawing.  Although you might think that emotion is very important because it is drawing, hence art. Nope, architecture has its own take on things. Even the good ideas, they are not that emotional. Even the sensitive good ideas, again not that emotional – the quality comes from somewhere else.

• Intellectual – Abstract conceptualisation. Your mind can imagine things that do not exist yet, brainstorm ideas, go into a lot of detailing with this and then focus on making it a reality. This is how you need to live your life, optimising the way your brain works.
These ideas are significant, so note them down and contemplate on them after. You do not want to go into the artistic part of architecture just guessing, this will help you make sense of the chaos that will inevitably come your way!

How Most Students Work



These three brains aren’t equally powerful in individuals – from what I noticed:

• You got one genius brain, an ok one (which you can train and get to standard) and a weak one that will always cause trouble because you are prone not to use it as much as the other two.

 Usually, my students fall into two categories:

Category 1: Emotional, physical, intellectual



• You feel a lot, and you are ambitious, but you cannot connect the dots, hence it will be hard for you to get results with architecture. Very sensitive people that might be artistic, might have something to say and skills to say it – they just need to not forget 
• Solution: Follow my guidance to the letter, after you learn what you need to learn from me, you are free to be your upgraded self.

Category 2: Intellectual, emotional, physical



• You like intellectual stuff, you like to learn and feel things at a deep, deep level.
• But you are having trouble putting things into action, moreover – the physical brain deals with conflict, the fact that architecture and drawing has an intrinsique conflict woven into it.
• Solution: follow my guindance in terms of taking massive action, do not just nerd out on this stuff
And as for me: Intellectual, physical, emotional



• You will sometimes see harsh feedback, you will feel it is meant to be harsh, but the reality is that its meant to help you survive.
• Massive angst if I imagine something and can’t’ do it. You will see a lot of versatility in my approach in teaching, because of this obsession to ‘talk the talk but walk the walk’.
• Emotions fall sometimes, sometimes the inspiration and love for the craft just aren’t there – I push myself through this.

Personality systems

There are a couple of personality systems which I recommend for you study up. Look, these systems are really deep and give you very scary profound answers to deep questions you always had. I cannot detail them in this article, but feel free to look them up for yourself, following your intuition.
MBTI

This stands for the myers briggs personality type indicator and basically does three things:


• It gives you the exact pattern in which your brain functions, which is disappointing but refreshing because you know what you can do and what you should avoid.

• You will know what you can do and what you cannot – again, it gives a very clear cut formula that you ca use to grow yourself and give drawing your own twist.

• This cognitiv pattern that you find doesn’t change, you mature and grow, but you cannot change it, you only grow into it.
You can access the most accurate of the mbti tests here:

Gene Keys
This shows how you have specific genes activated from when you were born and these manifest in your personality and unique gifts – the cool part is that if you contemplate and change your attitude towards certain things, you can unleash more of this untapped potential and then you can really win at architecture.

Especially at your talents – here is where you can be the most talented, because you are simply unleashing your own latent potential.

You can access this here
Human Design

This is the weirdest s ystem of them all – it mostly concerts how your energy centers work in your body. IT is extremely interesting if you have the patience to study it all the way and to accept the weird things you will hear. It will help you grow, you will learn very weird stuff like:

• How you function as an organism on planet earth.

• This will help you with everything from motivation, to answering the deep questions.

• Frees up more space so you can become your true self.

Learn How To Draw Confident, Straight Lines And Become Your Best Creative Self

If you want to apply what you are reading here to your work, then here’s a free 5-day course I created for you. You can access it here 100% free of charge and you will take your drawing skills to the next level! See you on the other side.

PD101_Real-Objects-Composition
FH3.7-–-Abstract-Architecture-Composition-I

The Plan: Time to go all-in for line drawing



Ok, so we covered the psychological theory part, now it’s time to go for just a bit of drawing theory then a lot of ACTION.
Action is what will change your skillset and get you to the next level.
Hopefully, by now you got the inspiration that whatever struggle you thought you have with drawing that is 100% your unsolvable problem – now you can go and make it happen
This is the plan:

• No quick-fixes! Your mentality should be that if you fix the problem behind the problem, then you got this skill set on autopilot for the rest of your career. When you are struggling with something, try to understand what is happening behind the principle.



• Two essential line drawing exercises – one strictly for line drawing, the other for getting used to sketching a more advanced architectural drawing. Do these 30 times if you need to – it is 100% fine to do so as you need to take action and win the skills for yourself.
Line drawing = freehand drawing. Hatching aside, an architectural drawing is 80% line drawing, hence from now on I will be calling in freehand drawing, as well as you need to understand that you can hand at least, in theory, a picture just at line drawing level and have it be 100% alright.

• Start accepting that in architectural freehand drawing there is no substitute for experience. (We will be looking at several topics of study that you need to know so you have line drawing understood at a deep level)

The Four Pillars Of Architectural Line Drawing

1. Freehand Drawing Line Types


There are three types of lines that need to be apparent in all your drawings – this will add graphics and clarity to your work, but most importantly it will help you understand how to systematically approach drawing anything.


You see, it is not about you nailing a drawing by accident ONCE, but rather you building up a standardised approach where you get win after win with architectural drawing.


No matter if the drawing is new, as in ‘ you’ve never drawn this before’ or it’s just more of the same, this standardised approach will make the difference.
Then three types of lines for architecture are:

• Construction – from the pencil’s own weight (always fill the page with construction lines, keep all the lines) if you can’t see the drawing because of the construction lines, then thicken the contour lines

• Contour lines – thicken the edges that you see in perspective, this makes for the part that normal people see out of the drawing. I adivse you over thicken them so you are preparing the drawing for hatching – remember, your drawing needs to be colored/hatched. It’s not about drawing lines just like that, it’s preparing your drawing for the final stages.

• Thick lines – for the cast shadows as well as the foreground or some special graphics effects. This is quite good as it gives clarity to large drawings, it makes everything read very easily. Also, thick lines work very well for the cast shadows you draw in all your perspectives.

2. The Four Step Formula To Drawing Anything


After many years of drawing half hazardly, it struck me one day – how to get that consistancy so all my drawings look at leaast 80% good… the other 20% well that is unpredictable so I am fine with improvising on the spot.
Me and my students use this four step formula to get that nice level of consistency from all drawings – make sure you take notes and apply this in al your work from now on. I would go and sketch a couple of thumbnail sketches just to let these principles sink in. You need to live them in your drawings consistently until they go on autopilot for you.
These four simple steps are:


• Fill the page with freehand lines – this will get you used to interacting with the page and putting your ideas out there, almost freestyle mode (perspective rules still apply). Start with a couple of thumbnail sketches first, these 4 x 4 cm sketches start getting you used to the image you want to create, preferably from zero, 100% from your own imagination.


• Thicken everything with a ruler – this will get you the clarity you need to ready your drawing for hatching (overdo the line thickness, get your drawing ready for hatching, don’t just draw lines that will disappear under hatching)


• Hatch shadows and materiality – this will give you ultimate clarity with hatching. You will finally start feeling that shadowed faces are grey because they are not directly lit and the cast shadows are dark because of the shadow projection. For materials, you are best off leaving everything white, but if you insist you cand add light hatching on materials such as wood.

• Rethicken the important lines, so you get clarity – this is where normal people stop – we won’t do that, we will go all the way with our work. Rethicken the important lines in order to get clarity and spatial expression with your volumes. Risk it a bit over thicken the lines, so people see them from a 6-meter distance!

ID101_Living-Room
PD101_Playground-Castle

3. What Makes A Drawing Look Good



There are certain things that make a drawing look good no matter what – these are principles; they are true no matter what happens. Do your absolute best to keep them rolling no matter what. Deal?

a. Correct part – these boxes need to be ticked whatever you do

Correct part means that your drawing needs to keep into account a couple of essential elements that are must for architectural drawing and for architecture. These are:
-Correct perspective – it is enough to have one perspective mistake for your whole drawing to look off
-Correct shadows – both shadowed faces and cast shadows
-Correct hatching -gradients darker in the front and get


b. Expressive part -the subjective, artistic element.
What you want is to apply these principles no matter how you feel on the moment. Maybe you think that exaggerating spatial depth is too much for instance – in 9 out of 10 cases it’s not.
These principles are:

• Idea and composition- most people think you either have good ideas or you don’t. The reality si that you grow these ideas by drawing them. Simple as that.

• Graphics – contrast, draw for 6, 3, 1.5 meters (if you are struggling with the fear that you will ruin your work, that won’t happen) Not doing this will ruin your work as it will end up looking dull.

• Exaggerate spatial depth – sharp foreground, strong, clear cut shadows. These elements just add that nice architectural feel to all your work.
5-asv2
SOA-IR-1

4. Uncomfortable Truths

There is a part of architectural drawing which will always make you feel uncomfortable, like there’s a tension there that you will always feel – the only way to pretend it’s not there is to keep drawing the same things over and over.
One thing I remember from architecture school – all my colleagues used to draw eyes – everybody really loved drawing eyes – always wondered why – probably because it was a quick comfort zone drawing fix.


So, keep this in mind and let’s look at a couple more uncomfortable truths, accept them and get to the next level with everything while doing so!

• You will always struggle with freehand drawing, accept that – it will for ever be difficult for you to get your ideas on paper, because you will always strive to get better, more bold ideas


• 80% of a drawing is always the same 20% is unique and unpredictable. All of this is fine, it will help you organise the chaos of tackling new subjects.

• Graphics tricks… although they sometimes seem like intellectual prostitution (really harsh one), they always work. No idea why, sometimes when you are caught in the moment you want to stop doing what works. Do not do that – keep your focus on the things that work, discipline your emotions to not revolt and see things through all the way.


• Nobody on planet Earth can help you take action, to make you take the steps towards bettering yourself – YOU have to do it. You will see some of my work and some of my students’ work and it might inspire you, you might read an article and get that clarity that you always wanted, you might see a video of me rocking the triangles… you have to do this on your own, nobody will lift the weight for you. Which is fine because nobody can take it away from you either!

If you just read through this, then it can’t leave you just feeling neutral. Note down any insights you have – confident line drawing is something that you live, hence you need to nurture the skill for it to improve.

Confident Line Drawing Exercises

 
Because this article is about drawing line drawing with confidence, it’s time to go for it and start some line drawing exercises that are meant to get us that clear, crisp and confident line drawing.


Look, although we talked about psychology and architectural drawing in detail, this is where we will be talking specifically about you getting a confident line drawing.


You probably realised that there is nothing in this universe that will get you those results instantly, but go for these two exercises and you will move forward by several important steps.

Line Drawing Exercise #1 -Abstract Compositions

Go slow, connect the tip of the pencil with your mind.
Get a gradient through the line drawing.
Make the sketches expressive – if you squint your eyes, they should look complete
Hatching counts for 20% of the final drawing, do not overdo it.
Line Drawing is the other 80%.

Line Drawing Exercise #2 – Sketching a Doric capitol

Draw an architectural object, so you get used to drawing lines, without the crippling doubt.
Go through these two sketches as many times as you need to.
No really, this will get you used to see the perspective points even when they are off the page.
Hatching counts for 20% of the final drawing, do not over do it.
Line Drawing is the other 80%.

Ionic Capital Sketch

Extra Topics of Study

1. Freehand Sketching Ultimate


To get good at line drawing, you need to know freehand sketching and to get good at freehand sketching; you need to sketch like a machine, so you build up that momentum of freehand drawing.

Here are a couple of ideas you need to consider for freehand sketching:

• Being able to freehand draw on the spot various drawings or ideas.

• Gives you the perceived or realistic creative freedom to free flow with your own concepts.

• It’s the tip of the iceberg synthesize stuff that you will later use in all your work.


2. Constructed Perspective
Constructed perspective will add that extra layer of technique to your freehand sketching – it will help you avoid most of the perspective mistakes that could happen just because. You need to have 2-3 basic perspectives done and maybe another 2-3 advanced ones and you are sorted – it is good enough to help you produce a constructed perspective on the spot by freehand, as in to sketch.

• This will help you understand how to draw a volume in 3d correctly.

• It will be a challenge, it does imply a bit of theory and a bit less feel at first, but stick to the technique, and you will grow.

• You need around 20 different constructed perspective assignments in order to build up the skillset naturally and for the rest of your career – each perspective will take around 3 hours to finish properly.
Screenshot (204)
Screenshot (205)
3.Architectural Composition
Architectural composition is the artistic part of architecture, where you explore different spatial concepts in a more or less abstracted way. A confident line drawing is the fuel that will make all of that happen. Here are a couple of ideas:

• This is where you can explore with different spatial concepts – so the pencil’s tip needs to be connected with your mind, you need to be able to think in lines.

• Basically, you can do anything you want, but need to have the line drawing to be able to draw it.

• When the idea is good, you are pulled towards drawing it the right way – it’s not about graphics. When you have a good idea, the confident lines come naturally.

4. Hatching
Hatching counts for 20% of the final drawing, line drawing is the other 80%. So, in theory, you could hand in just the line drawing for your work and be alright!
Here are a couple of ideas:

• Use mixed hatching -smudged as well as textured will get you clarity and speed.

• Gradients again towards the foreground -exaggerate those gradients, make the drawing jump off the page.

• The end result is to make everything as clear and crisp as possible – go for the volumetric look, regardless of how you feel in the moment.

This is where you really need to note down the ideas you want to apply from this article as well as start sketching some of the thumbnails for the drawings that you found interesting here.

It is a matter of taking action, that will get you the results – even faster than you would expect, it depends on you applying the advice here.
5. Colour Composition

We will briefly discuss colour composition as it is an important element that will distract you from line drawing. You will sense the need to cover the line drawing to stand out etc. DO NOT DO THAT.


Focus on getting the line drawing sorted first; after that, you can reveal your true creative self. Your true creative self is something that isn’t all that impressive and will come out naturally if you read up on the mentality stuff in part one.
Line drawing takes a bit of time to get under the belt.


• This is really taboo. This is where people think talent exists or it doesn’t and there’s nothing

• This is going to be a topic for a different video, but for now let’s focus on two basic formulas.

• Complementaries – orange and blue, yellow and purple, green and red or black and white with a happy, warm colour – orange, yellow etc

Screenshot (206)
Screenshot (207)

How to progress with line drawing



This is the last part of the article – I want to really hammer that the point of all of this is not for you to gather more information, but to apply everything you learned here (obviously, you have taken notes) and take things to the next level for yourself and your skillset. Makes sense, right?

 

These are some final tips on how you can progress and get a confident line drawing on autopilot:


• Go and apply every one of the technique in this video in your next freehand drawing sketch. The exercise on line intensity is the most important one as it will challenge you with getting the right line gradients.

• It might sound simple or like ‘why, should I do this etc’ – go apply the principles. When you are done, reread the article and some other element will pop up – go apply that.

• Postpone all your doubt until you have finished the drawing at hand. There is this tendency to stop and stare – don’t do that, go all the way with your work and focus on the action plan!

Full Lecture on Drawing Confident Lines

Follow along, take notes where you find interesting concepts and make sure to go through the exercises on line drawing. The abstract thumbnail exercise can get you around 50 variations of compositions which will solve the old problem of not having a confident gradient with you freehand lines.

Master Technical Drawing

Once and for all. You can be an artistic type with zero experience, this course will get you win after win with technical drawing!

So now that you know this…

How could you apply these tips to get better results with your technical drawing?

To get started asap with technical drawing and get consistent results I recommend you go for my premium course on tehnical drawing. Here you will get customised feedback for all your work and you can just grow and improve all your abilities in arch drawing.Talk to you in a bit,

M.

Get in touch with me here:

    Hi, I’m Michael Neatu, I am an RIBA Architect and for the last 5 years I have taught over 500 live students as well as 7000-9000 online students via my video trainings. With my guidance, you eliminate the guesswork and self-doubt around architectural drawing and will you step by step start unleashing your full architecture potential.

    Leave A Reply

    This site uses Akismet to reduce spam. Learn how your comment data is processed.